The Tensionof Impasto

The origin of each artwork is no longer a static image, but a system: an open structure of lines and vectors. The series is the preceding step before this dense mathematical mesh clashes with the physical brutality of oil paint.

Each piece is the result of a calculated clash. We separate the instruction from the physical execution: we use code to weave vector meshes that high-precision printing systems render with relentless accuracy. The artwork does not stem from trying to humanize the machine, but from exposing its parametric logic, only to shatter it with the manual friction of impasto.